Leela Madhuri · Pad 14
nachata tā, thei thei nandakumāra
Original pad by Jagadguru Shri Kripalu Ji Maharaj
English meaning
Shyāmasundara is dancing in the bowers of Vṛindāvana. The maidens of Braja are singing ‘Ta Ta Ta Tā Thei Thei’ (notes used in Indian classical dance). The anklets of dancing Shyāmasundara are producing the beautiful sound of ‘Chhanan Chhanan’ accompanied by the sweet jingling sound of His ornamental kiṅkiṇī. Through the movements of His hands, forehead, waist, feet and eyebrows, He is distinctly showing various moods of the dance. Mṛidaṅga, chaṅga, drum, tambourine, etc. are all being played in rhythmical unity. Shrī Rādhā is singing the raga Malhāra in middle key (pancham swara) of the scale. The rhythm of the singing and the dancing is sometimes slow, sometimes medium paced, and sometimes fast. Lalitā and others, the experts in classical music, are stretching the keys through various grace notes (tānas) and augmentations (ālāpas). In the words of Jagadguru Shrī Kripālu Jī, the group of thousands of gopīs is shouting rapturously, “Jai Ho! Jai Ho! Balihāra!” i.e. ‘Let victory be to our Lords Shrī Rādhā-Kṛishṇa! Let glory be unto Them! We sacrifice ourselves on this enchanting scene!’
Complete whole-pad meaning transcribed from the supplied English edition. The source provides no separate line-by-line or word-by-word meaning.
Prem Ras Madira (English), Part 2 · PDF page 60 · printed page 395.
Meanings: Smt. Padmā Devī. English translation and transliteration: Sushrī Braj Parikarī Devī. Source details.
Pad · Roman transliteration
The original verse in Roman letters, as printed in the English edition.
nachata tā, thei thei nandakumāra
sakhiyana kahata ‘ta ta ta tā thei thei’, mañju nikuñja majhāra
bajata charana chhūma chhananana nūpura, kiṅkini dhuni jhanakāra
hastaka, mastaka, kaṭi, pada, bhṛikuṭina, bheda dikhāu nihāra
bājata chaṅga, mṛidaṅga ḍhola, ḍhapa, sabai surana ika sāra
pañchama sura soṁ kuñja-vihāriṇi, gāvati rāga malāra
kabahuṁ vilambita, kabahuṁ madhya laya, kabahuṁka druta laya dhāra
lalitādika saṅgīta swāminihuṁ, karata swarana vistāra
kahata ‘kripālu’ sakhina saba ‘jaya ho, jaya ho jaya, balihāra’