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Shri Krishna Dwadashi & Shri Radha Trayodashi

Jagadguru Shri Kripalu Ji Maharaj

Chāturī pāṅcha gaura sarakāra.

Reading 20 of 29 · Radha · Source no. 5 · Source PDF 21

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2Chāturī pāṅcha gaura sarakāra.

3eka chāturī bhrunartana kī, jehi lakhi piya balihāra.

4eka chāturī naina bāna kī, tirachhī barachhī ḍhāra.

5eka chāturī mṛidu bolani kī, mohati nanda kumāra

6eka chāturī keli kalā kī, prakaṭati rāsa majhāra.

7eka hāsa parihāsa chāturī, sakhiyana saṅga nihāra.

8kaha ‘Kṛipālu’ dhari rūpa chāturī, sevata bhānudulāra.

9Fair-complexioned Kishorī Jī possesses the mastery of five kinds of

10arts. The first is dancing in which the special artistic movements of Her

11eyebrows fascinates and so charms Her beloved Shyāmasundara that

12He offers His whole being on Her. Her loving sidelong glances act like

13darts that pierce the heart of Shyāmasundara. Her sweet charming talk

14so enraptures Shyāmasundara that His ears long to hear it forever and

15ever. Her art of arousing and elevating love sentiments is manifested in

16the rāsa. She has a special art of delighting Her intimate friends with

17Her joyful Divine fun and frolics. The saint poet Kṛipālu comments that

18art itself in personified form is engaged in the service of Rādhā Rānī.

Published English and Roman text from the supplied combined Krishna Dwadashi and Radha Trayodashi scan. Krishna verse 6 is absent from this source; the gap remains explicit. Radha numbering restarts at 1 and is kept in its own group. Published translation: Dr. Bageeshwari Devi.

Source edition and PDF · Text version